Showing posts with label charlie parker. Show all posts
Showing posts with label charlie parker. Show all posts

Tuesday, June 23, 2009

The Dusk of Summer Break



My summer vacation is about two-thirds of the way over, and I am unfortunately beginning to feel the coming pressure of the beginning of a new academic semester. I will have to move in early, on August 6th, in order to begin band camp the next day, which will last until August 14th. This is a relatively short time compared to other colleges, who must rehearse much longer during the summer and during the school year. This band camp will undoubtedly be my last one, as even if I go an extra semester or year, my scholarship will no longer be in effect, and I will be focusing on my major, History.
I have practiced very little throughout the summer, as it is very hard to do so with my brother always playing the guitar, and dogs that seemingly squeal in pain from my playing, though I have discovered that it is not because my playing is bad, because they squeal equally at Coltrane, Getz, and Charlie Parker. I will soon begin to practice once more in order to assure that I have adequate skill to get through next semester's music classes, because at this point, ironically, a good bit of the classes I must take are for my music minor. I also have a piece on the clarinet, Wilson Osborne's Rhapsody for Bb Clarinet that I must have ready by the time school starts.
As my summer break time diminishes however, I will attempt to savor every last minute of it.

Tuesday, June 9, 2009

Ko Ko (orignally written by me on August 19, 2006 with edits)




Ko Ko.

A scaldingly fast work derived from the chords of Cherokee, this piece is entrancing. The head begins with a complex phrase played by Dizzy Gillespie on trumpet and Parker on Alto Sax, that is later understood when Cherokee's chord changes come in. When Cherokee's chords are reached Dizzy switches to playing the chord changes on the piano behind Parker. Bird then begins his astounding 128 bar solo. It is astonishing in its phrasing and perfection. During his solo Parker manages to throw in the clarinet solo from "High Society". Ko Ko ends with Dizzy and Parker finally converging after a Max Roach drum solo.